Vancouver Canucks — “Mission Home”
AI-augmented visual effects. Broadcast-grade. Invisible by design.
The Vancouver Canucks' annual season-opener film is one of the most-watched franchise productions in the NHL. For "Mission Home," the production team built a cinematic sci-fi epic — full set builds, practical effects, and Justin Hartley narrating — and needed AI-augmented visual effects that could integrate seamlessly into the post-production pipeline at broadcast quality.
I was brought in to direct the hybrid VFX. The brief was simple: make it invisible. Every generated frame had to hold up under broadcast scrutiny, match the practical photography, and never pull the audience out of the story.
This wasn't post-processing. It wasn't filter work. Every AI-augmented frame was directed — treated as a shot, not a render.
I directed the hybrid visual effects pipeline, making creative decisions at every stage: composition, lighting continuity, color temperature, motion behavior. The integration had to be invisible. The VFX had to earn their place in the cut alongside practical photography, full set builds, and a cast that included NHL players and a Hollywood narrator.
The result: AI-augmented visual effects that the audience never noticed. That was the entire brief.
The film aired to millions as the Canucks' official season-opener. The hybrid VFX were integrated seamlessly — broadcast-grade, on timeline, under traditional VFX budget. Invisible by design.

